Amazing Spider-Man #543. Why the hell is Peter being so stupid? He has completely forgotten the whole power and responsibility aphorism at this point. The responsible thing to do at this point — even if he is ideologically opposed to the Superhuman Registration Act — is to turn himself in and get May the help she needs. The first time May died back in the 90s, I got really frustrated with Spider-Man in general because of Peter becoming The Spider and physially abusing Mary Jane. I’m starting to feel that way again. It actually makes me hope that Brand New Day is some kind of reboot of the character. The Kingpin revenge side of this story arc made sense to me. This cloaking of May is completely incomprehensible to me.
Mouse Guard: Winter 1152 #1. The next series of Mouse Guard is just as amazing as the first series. The mice feel very fragile in their harsh surroundings, and Peterson does an excellent job of capturing the sense of danger and horror that larger predatory creatures should engender in mice. The art is a gorgeous and critical component of the story as a whole. This is what comics should aspire to be.
Batman #668. I love a good murder mystery, but the storytelling seems a little off to me in this book. This is one of the books on my list that usually requires another read through in order to process the details of the plot. I would like a bit more clarity from either dialogue or visual cues in the art. I consider this to be an editorial problem, and it’s honestly fairly common in comics these days. Good creators become great creators with an editor to help strengthen the work with constructive feedback.
Iron Man #21. Iron Man is becoming more of a “cast” book. Characters other than Tony are being emphasized as the run continues. This was done to great effect in Captain America. In fact, it was done so successfully that the book can safely continue even with a dead title character. I don’t see Iron Man, however, as being the ideal book for this sort of treatment. Tony as a character has always been somewhat arrogant and individually driven. Whereas Cap, being a natural leader, built others up around him, Iron Man has always had the theme of individual achievement and excellence. I still love this book, but as a writer, I would personally be taking it in a much different direction.
Green Lantern Corps #15. I really miss the recap pages when reading DC books. I can count on Marvel to remind me about what happened enough to jog my memory and get around to the business of enjoying the continuing story. DC often leaves me feeling like I should just wait for the trade instead of picking up monthlies. I love the Green Lantern Corps when I can read their story arcs in one sitting, but reading individual issues leaves me feeling somewhat disoriented as I try to sort out what was happening during the action itself.
Immortal Iron Fist #8. The tournament bracket at the end of this issue made me squeal with delight. This version of Iron Fist feels more like a martial arts story than any of the previous incarnations, which often felt like a superhero story with hints of martial arts. This comic is always refreshing after reading all the superhero books I buy on any given week.
X-Men #202. Buying all the X books has been an interesting experiment because I can see the hints of the coming crossover building with each issue. I consider to dislike the art in this book, and without creative or character changes, I’ll freely admit that this is one of the books I’ll probably drop when my Endangered Species experiment is over. The book isn’t working for me. As for the Endangered Species backup, I continue to wish that I was reading it all in one sitting. With an 8-page “issue”, you’re done just about the time you start to get settled in as a reader.
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