I’m knitting out on The Plaza of the Americas before work. Lately, Allyson and I have been taking the car to work and parking illegally with impunity, making us all the more content to ride out our luck for as long as the parking cops don’t punish us. The usual routine these days is for Allyson to drop me off at Criser Hall a little over an hour before I have to actually start working. Lately, I’ve taken that time to sit outdoors and knit.
It’s rather peaceful knitting outside on campus. The flow of students is inherently periodic with peaks between classes and lulls that make you believe you’re the only person outside amongst the warring tribes of well-fed squirrels. The plaza is very much a little island of nature in the middle of concrete. In my imagination, it’s like Central Park in the middle of New York City, a place where I can simultaneously feel as though I’m in the middle of a sea of humanity and away from the concrete and brick monoliths.
I assumed my usual spot—one of the concrete slab benches right in front of the library, positioned so that my back can rest against one of the pillars that holds up the walkway. Today, I have arrived during the middle of a class change, and I find that I’m comfortably pleased to see that my usual spot is still empty. On some days, there are folks eating their inexpensive Krishna-made lunch dangerously close to my usual spot, but to this point, no one has occupied “my” spot. I’m sure that as the weather changes with the muted Florida seasons my favorite spot will change since the only real reason that I prefer this spot is that the sun shines down on it and provides some warmth on the breezy, cool days that we’ve been having lately.
Today I’m working on a new project—a gift for a very special lady who used to be my boss. It seems almost a cliché to be honest, but knitting for me is very much a spiritual practice. I struggle hard to truly infuse Zen practice into my Christian faith, and thus far I’ve found no greater synthesis than when I’m knitting. Today, I felt particularly close to getting it. The combination of selflessly knitting something for someone I care about paired with the simple stitch-counting concentration just felt right and beautiful.
Row 1. Knit…1…1…1…1…1…1…1…1…1…
Row 2. Knit…2…2…2…2…2…2…2…2…2…
Row 3. Knit…3…3…3…3…3…3…3…3…3…
Row 4. Yarn Over wrap…Wrap two and pull through…Wrap two and pull through…
Row 5. Drop stitches…Knit one and drop one…Knit one and drop one…
I know that I don’t need to count to myself. I’m perfectly capable of managing a whole set of complex variables in my head. In fact, that’s what I do for a living—juggling information and remembering the obscure. Nonetheless, I find the counting oddly emptying. I find that the numbers cease to make sense as I knit across the row. They stop being numbers about halfway through and just become a comforting rhythm by which I notice each motion of my fingers, each turn of the yarn, the way that the light hints onto my needles, the way that the squirrels are digging through the trash. At the end of each row, I think about the person I’m giving it to. I think about how she’s retiring and how I think she’ll appreciate the gesture. I check my work because she’s worthy of something carefully constructed and beautiful. I notice my thoughts, and I notice the still silence between thoughts even more.
I’ve made a couple of repeats of my self-made pattern, and I’ve just finished a Row 1 when I hear someone say, “You makin’ a scarf?”
I turn and find two ladies in what I believe to be cleaning staff uniforms. They’re younger than my parents but older than me. I quickly judge that they’re probably somewhere as young/old as either my older sister or my older brother—somewhere in their thirties or perhaps early forties. One lady is black, and the other is white. One wears glasses, and the other doesn’t. I don’t notice much more about their physical appearance. I’ve learned over the years that I rarely do notice such things, and I suspect that it’s probably why I’m a rather poor pencil artist. I gather from their accents and mannerisms that they probably come from similar backgrounds as me, and that puts me a little at ease. I understand how to relate to Southern people. I know that they’ll be comfortable with my politeness and not think me sugary sweet for calling them “Ma’am”.
“Yes, ma’am.”
“I saw you yesterday too. You was workin’ on a scarf then too.”
“Yes, ma’am, I was.”
“It was a big long one—’bout this long. And colorful!”
I chuckle a bit, and offer another “Yes, ma’am,” in reply.
“Did you finish that one from yesterday?”
“Yes, ma’am. Now I’m making this one for a lady in my office who’s retiring. I have about a week to get it done, so I’m going to have to work at it.”
“Who were you making that one yesterday for?”
I only pause for a moment to consider. I was knitting it for myself. Unlike most knitters, I tend to do a fair bit of that. I’m not really particularly attached to the objects. I just sort of make them because I like knitting, and they end up mine by default. The scarf of yesterday was too long to belong to anyone but me really. I made it long and dramatic to serve as a splash of color for whatever I happen to be wearing. Even wrapped around my neck it drapes almost down to my knees. Aren’t knitters supposed to knit for other people? If I were a true knitter, I’d be making it to send to the American troops in Iraq, or I’d be sending a care package to a relative.
“I don’t know. Maybe I’ll give it to my wife.”
“Will you make me a scarf? How would much would you charge me for a scarf?”
I’m uncomfortable with the notion of payment for something so personal and precious to me. I knit because it focusses my mind. I knit because I love to create. I knit because I love my wife and I want to cultivate common ground between the two of us. I knit because it makes the noisy uncaring world fade out long enough for me listen to the still small voice within myself. I most certainly don’t knit for money, and even the thought of doing so makes me feel like a tawdry whore.
“Oh, I can’t…I could knit you a scarf anyway.”
“Something colorful.”
“Yes, ma’am.”
“I’ll see you. I’ll be looking for you.”
She and her friend/co-worker/companion left to enjoy their lunch break, and I was left with my thoughts. I thought it odd how I had just agreed to knit something for a complete stranger, but it felt warm and calming. I felt that this is most certainly what both Jesus and Buddha would do in the same situation. I felt honored that they thought me skilled enough to ask me for such a thing. I knew how simple the “colorful” scarf from yesterday had been, and I began thinking about what kind of yarn to make this lady’s scarf out of. Perhaps I could dye some wool with Kool-Aid to provide an interesting and unique colorway. I could either do a simple garter stitch on large needles like the scarf she saw, or I could even do something more interesting like a 3×2 rib.
I had just gotten back into the rhythm of knitting when I heard a familiar voice ask, “What kind of stitch is that?” and see a brown hand moving to touch my nascent scarf.
“It’s a drop stitch pattern,” I reply.
“That one from yesterday…That one was just a chain, right?”
“It was a garter stitch. That’s what happens when you just knit back and forth.”
“This one today is so pretty. How did you learn?”
“Out of a book. My wife knits, and I learned by looking at one of her books.”
“How did you learn from a book?”
“Well, you know, I just kind of looked at the pictures to see what I would do and sort of read the book.”
I’m always sort of amused at the looks I get when people hear that I learned to knit by reading a book. As with most things, that’s a conversational simplification, but learning from reading a book and looking at pictures on the Internet is really the same thing. Most folks have a heck of a time learning something without someone there to guide their hands while I find that I prefer it. Learning something is such a personal process for me that I feel counterproductive having to communicate with someone instead of focussing all of my mental energy on the actual task of learning a new skill.
Upon seeing my new acquaintances giving me amazed and puzzled expressions that sought further explanation for this supposed miracle, I simply added, “I’m a computer programmer,” which they took as all the explanation they needed. I belonged in that quirky, silent world of physicists, magicians, and mathematicians—the realm of books and academic instructions rather than the realm of the everyday and experiential.
“Make it colorful,” my new patron requested as she walked away, and then as an afterthought, she turned and asked me my name. I gave her my first name (or at least the nickname that has always passed as my first name), and she replied with the names of her and her friend, which I promptly forgot in rehashing our conversation and thinking about what yarn, needles, and stitch pattern to use for her scarf. Her name didn’t matter to me. In fact, it almost worked better for me to be knitting something for a stranger. I enjoyed the notion that I would knit something for her just because she asked. I found it funny that I had no pride in the fact that this woman would ask me for one of my scarves. And yet suddenly here was her requested project, next in line to be done after I finish my current scarf. It seemed oddly right to me that I would knit the scarf for her simply because she asked for it.
I pick up my needles and resume my knitting.